
Swing Meets Klezmer – 100 Years On: A Discussion with Gilad Harel
I was weaned on Benny Goodman by listening to my mother’s youngest brother as he tried to emulate BG. From those early days my love

I was weaned on Benny Goodman by listening to my mother’s youngest brother as he tried to emulate BG. From those early days my love

As I have written more than once, my initial exposure to live jazz was hearing the Firehouse Five Plus Two at Disneyland in 1962. It

Nearly a half-century after his death, one of the most-recorded vocalists of the 20th century, Irving Kaufman, received a Lifetime Achievement Award in his old

We were at Jazz Bash by the Bay in Monterey in 2022, living it up and enjoying the first live festival we had been to

The year 2023 marks the centennial of the publication of the “Charleston,” the tune, dance, and rhythm that has come to define the decade of

The saying “you can’t keep a good woman down” might well have been inspired by the Swedish Queen of Swing, Gunhild Carling. She is bouncing

As a jazz journalist, there are writers I look up to—experts in the field, whose expansive knowledge and well developed tastes make them widely acknowledged

The great pianist and composer André Previn once said, “Stan Kenton can stand in front of a thousand fiddles and a thousand brass and make

“Muggsy Spanier and his Ragtime Band,” a short piece in the Red Hot Jazz Archive (now hosted on syncopatedtimes.com), recalls a dramatic event in the

Dan Barrett’s excellent article “Thoughts on the South Frisco Jazz Band” (TST, February, 2023) is a vivid description of the South Frisco’s sound and the

I am exceptionally excited this month to write this article. However, let me begin slowly and try to remain coherent. On Friday afternoon, September 9,

“The real history of music is not respectable. Far from it. Neither is it boring. Breakthroughs almost always come from provocateurs and insurgents, and they

I have often thought about how much chance, or fate, dictates the direction of one’s life. Some—including me—might also attribute surprising occurrences in their lives

Duke Ellington’s accomplishments and innovations as a composer, arranger, pianist, and bandleader are so vast that one or two articles cannot do him justice. This

Fats’ ‘Rhythm’ Sideman Remembers Waller, Recording in the 1930s, and Going Electric I was lucky enough to play with Al Casey, the legendary Fats Waller

Summer of ’41, before senior year in high school, I worked as bellboy at a resort hotel in Lake Junaluska, NC, a Methodist Chatauqua some

Duke Ellington’s accomplishments, innovations, and sheer productivity as a bandleader, pianist, arranger and composer were so vast that one or two articles cannot do justice

Introduction On March 12, 1928, Paul Whiteman and the musicians in his orchestra went to the Victor recording studios in Liederkranz Hall, 58th Street between

From 1960 to 1970, “Dixieland at Disneyland” was an annual event at the park. Walt Disney was a great fan of Traditional Jazz and Dixieland

This is the second in a five-part series covering the unique and very productive career of Duke Ellington. Ellington was 30 when 1930 began and

Songs are hits, today, because so many people hear them. Songs used to be hits because so many people played and sang them. But in

Few serious scholars believe that famous boast, made by the notoriously braggadocious Jelly Roll Morton, in which he claims to have single-handedly invented jazz. But

Introduction Recently written ragtime compositions, as a rule, do not attract much attention from the majority of ragtime aficionados nor the general public. However, as

Duke Ellington’s accomplishments, innovations, and sheer productivity as a bandleader, pianist, arranger and composer were so vast that one or two articles cannot do justice