The Jungle Band was a pseudonym for the Duke Ellington Orchestra.
| Title | Recording Date | Recording Location | Company |
| Accordion Joe (Dale Wimbrow / Charles Cornell) | 4-22-1930 | New York, New York | Brunswick 4783 E-32613-A |
| Accordion Joe (Dale Wimbrow / Charles Cornell) | 4-22-1930 | New York, New York | Brunswick 4783 E-32613-B |
| Admiration (W.H. Tyers) | 3-20-1930 | New York, New York | Brunswick 4776 |
| Cincinnati Daddy (Duke Ellington) | 12-10-1929 | New York, New York | Decca GRD-3-640 |
| Cotton Club Stomp (Duke Ellington / Johnny Hodges / Harry Carney) | 4-22-1930 | New York, New York | Brunswick 4887 E-32614-A |
| Cotton Club Stomp (Duke Ellington / Johnny Hodges / Harry Carney) | 4-22-1930 | New York, New York | Brunswick 4887 E-32614-B |
| Creole Rhapsody Part 1 | 1-20-1931 | New York, New York | Brunswick 6093 E-35939-A |
| Creole Rhapsody Part 2 | 1-20-1931 | New York, New York | Brunswick 4887 E-35940-A |
| Double Check Stomp (Barney Bigard) | 4-22-1930 | New York, New York | Brunswick 4783 |
| Harlem Flat Blues (Duke Ellington) | 3-1-1929 | New York, New York | Brunswick 4309 |
| Home Again Blues (Irving Berlin / Harry Akst) | 10-27-1930 | New York, New York | Brunswick 6003 |
| Jazz Convulsions (Duke Ellington) | 9-13-1929 | New York, New York | Brunswick 4705 |
| Jolly Wog (Duke Ellington) | 9-13-1929 | New York, New York | Brunswick 4705 |
| Jungle Jamboree (From Connies “Hot Chocolates) (Andy Razaf / Harry Brooks / Fats Waller) | 7-29-1929 | New York, New York | Brunswick 4492 |
| Maori (Foxtrot) (W.H. Tyers) | 2-21-1930 | New York, New York | Brunswick unissued |
| Maori (Rhumba) (a) (W.H. Tyers) | 3-20-1930 | New York, New York | Brunswick 6812 |
| Maori (Rhumba) (b) (W.H. Tyers) | 3-20-1930 | New York, New York | Brunswick 4776 |
| Mood Indigo (Duke Ellington / Barney Bigard / Irving Mills) | 10-17-1930 | New York, New York | Brunswick 4952 |
| Paducah (Don Redman) | 3-1-1929 | New York, New York | Brunswick 4309 |
| Rent Party Blues (Duke Ellington / Johnny Hodges) | 3-1-1929 | New York, New York | Brunswick 4345 |
| Rockin’ Chair (Hoagy Carmichael) | 1-14-1931 | New York, New York | Brunswick 6732 |
| Rockin’ In Rhythm (Duke Ellington / Harry Carney / Irving Mills) | 1-14-1931 | New York, New York | Brunswick 6038 |
| Runnin’ Wild (Joe Grey / Leo Wood / A. Harrington Gibbs) | 10-17-1930 | New York, New York | Brunswick 4952 |
| Sweet Mama (Duke Ellington / Irving Mills) | 12-10-1929 | New York, New York | Brunswick 4760 |
| Twelfth Street Rag (James. S. Sumner / Euday L. Bowman) | 1-14-1931 | New York, New York | Brunswick 6038 |
| Wall Street Wail (Duke Ellington / Irving Mills) | 12-10-1929 | New York, New York | Brunswick 4887 E-31509-A |
| Wall Street Wail (Duke Ellington / Irving Mills) | 12-10-1929 | New York, New York | Brunswick 4887 E-31509-B |
| Wang Wang Blues (Gus Mueller / Bert Johnson / Henry Busse) | 10-27-1930 | New York, New York | Brunswick 6003 |
| (What Did I Do To Be So) Black And Blue (From Connies “Hot Chocolates) (Andy Razaf / Harry Brooks / Fats Waller) | 7-29-1929 | New York, New York | Brunswick 4492 |
| When You’re Smiling (Mark Fisher / Joe Goodwin / Larry Shay) | 3-20-1930 | New York, New York | Brunswick 4760 E-32447-A |
| When You’re Smiling (Mark Fisher / Joe Goodwin / Larry Shay) | 3-20-1930 | New York, New York | Brunswick 4760 E-32447-B |
| Artist | Instrument |
| Barney Bigard | Clarinet, Tenor Saxophone |
| Wellman Braud | Bass |
| Harry Carney | Clarinet, Alto and Baritone Saxophone |
| Duke Ellington | Piano |
| Sonny Greer | Drums, Tamborine |
| Fred Guy | Banjo |
| Johnny Hodges | Clarinet, Saprano and Alto Saxophone |
| Freddy Jenkins | Trumpet |
| Frank Marvin | Vocals |
| Irving Mills | Vocals |
| Joe Nanton | Trombone |
| Benny Paine | Vocals |
| Dick Robertson | Vocals |
| Cornell Smelser | Piano, Arranger |
| Juan Tizol | Valve Trombone |
| Arthur Whetsel | Trumpet |
| Cootie Williams | Trumpet, Vocals |
