Jazz and Copyright Law
Steve Provizer
March 27, 2020
If you can imagine turning on the radio and hearing a song you wrote credited to someone else, you’re probably a believer in the concept
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If you can imagine turning on the radio and hearing a song you wrote credited to someone else, you’re probably a believer in the concept
This biography of jazz multi-instrumentalist Adrian Rollini has a long history. The book was started in 1980 by Dutch musician and jazz scholar Tom Faber.
We in the jazz musical world are tired of being ignored by the media moguls who feed the bottomless American appetite for reality TV. Ever
The great cornet player Rex Stewart, best known for his work with Fletcher Henderson and Duke Ellington, was also a prolific writer. He contributed to
We like to assume that the recorded body of American roots music-blues, jazz and “hillbilly”/country-accurately represents the best work of America’s diverse musical community in
Jack Sheldon (November 30, 1931-December 27, 2019) and Chet Baker (December 23, 1929- May 13, 1988) are two trumpeter/vocalists with a great deal in common.
Discerning influences – why musicians sing or play or write the way they do – can be as straightforward as recognizing a stolen/borrowed lick or
Early in his career, at places like Your Father’s Moustache and The Salty Banjo, Jimmy Mazzy carved out a place for himself on the bandstand
Author Ted Gioia may be known to readers of Syncopated Times through his writing about jazz, which includes many articles and the books: The History
This fall Syncopated Times reporter Steve Provizer met with Ted Gioia, author of many important jazz histories, to discuss his latest project Music: A Subversive
D.A. Pennebaker was a filmmaker, born in 1925, died on August 1, 2019. He was one of a small group of filmmakers who created a
In the language of jazz, “doubling” means playing more than one instrument (not at the same time, c.f. Wilbur Sweatman and Rahsaan Roland Kirk). Doubling
While listening to cornetist Nat Adderley light it up during a recent listening session, I thought “Why does he play this aggressive style on cornet
I’ve written a lot about how jazz is portrayed in film, but never paid specific attention to how we jazz trumpet players have been portrayed.
“[Fud Livingston’s] final decade was a difficult one, and a pernicious addiction to alcohol ultimately took him out ahead of schedule. Until shortly before his
Red Allen, Tommy Ladnier, Baby and Johnny Dodds, Pops Foster and many others giged with bandleader Fate Marable, who ran the bands for the Streckfus
Big budget films about jazz don’t come along very often. I feel a special sense of responsibility in writing about this film, as I believe
We’re all wondering what approach the upcoming film Bolden will take toward that foundational jazz figure. Feature films about jazz musicians like Born To Be
I first heard trumpeter Bo and drummer Bill Winiker play at a wedding in the late 1970s and they were terrific. They swung like crazy
