Bert Thompson

Among those music makers who figured largely in the New Orleans jazz revival, no one stands taller than George Lewis. Until the traditional jazz revival

On this third volume of Once More from the Beginning! by the Red Beans ‘n’ Rice Jazz Band, only three members play on all 29

From his teenage years until his death, Bill Bissonnette (or “Big Bill Bissonnette,” as he liked to be known) was a staunch champion of traditional

The recordings featured on this CD are all taken from the archive of the late John R.T. Davies, UK multi-instrumentalist and wizard of restoration. Some

The Austin High School Gang, a group of teenagers in Chicago attending Austin High School in the 1920’s, became smitten with the jazz of the

In this second volume of Once More from the Beginning! by the Red Beans ’n’ Rice Jazz Band, Stuart McLean continues his recounting of the

If a group of traditional jazz fans were asked to name a great trombonist of the genre from the 1920s-1930s, we might hear “Jack Teagarden

The legendary Crane River Jazz Band was one of the earliest bands in the Traditional Jazz Revival in the U.K. that began in the late

When fellow musicians and acquaintances of Bob Wallis speak of him and his band, a word frequently heard is “drive.” This pair of CDs both

During the more than seven decades since the beginning of the Traditional Jazz Revival in the 1940s, Europe has been producing some first-rate traditional jazz

As I have often said, the U.K. has been blessed with many traditional jazz bands since the revival of the late 1940’s, and the Red

The personnel of the CD under review here, Just Genuine Jazz, is almost identical to that of a previous Upbeat Records issue by this same

This superb two-disc set honors drummer Arthur J. Singleton, known throughout the jazz world by the nickname “Zutty.” (Trevor Richards says in his liner notes,

As the world emerged from the Great Depression in the 1930s and the outbreak of WWII was looming, in jazz music swing was the thing,

With this double CD, Kit Johnson and the Black Swan Classic Jazz Band are on solid ground by aiming the contents at dancers, as is

Standing at some six feet five inches and weighing around 250 lbs, Frank “Big Boy” Goudie (pronounced “Goody”) was an imposing figure on the bandstand,

In the early days (and perhaps even today for some folks), jazz, particularly the blues, was denigrated as “the devil’s music.” Somewhat ironically this charge

This superb two-disc set honoring bassist Ron Russell consists of material recorded during the 1970s. This is also the first time it has been issued,

When “ragtime” is mentioned, many people—perhaps most—think immediately of piano players. In the early 1900s, ragtime was the domain of piano players. Ragtime was “revived,”

A couple of years ago when reviewing the Missing Pieces CD, I wrote this: Two years from now the New Black Eagle Jazz Band will

The West Coast of the U.S. has long been blessed with a large complement of traditional jazz bands—professional and semi-professional—societies, and festivals, it seems. Before