Vol.4, No.9 September 2019
Don Neely’s Royal Society Jazzes On, by Brian R. Sheridan
Arthur Pryor and the Birth of Ragtime, by R.S. Baker
The Gang at Monkey Inn, Pt. 2: Bill Erickson Combos, by Dave Radlauer
Molly Reeves’ “Unique Voice Within the Tradition”, by Shelly Gallichio
The Ukulele that Flew to the North Pole, by Francesca Biagi
The Hidden Blues Queen Who Inspired a Swing Kingmaker, by Dave Doyle
Brothers in Arms: Soldiers and Swingsters, by Dave Doyle
Terry Myers: One of a Kind, by Van Young
D.A. Pennebaker: “The Very Nature of Film is Musical”, by Steve Provizer
New Photo of Bix Surfaces in Voynow Scrapbook, by Andy Senior
Historic Okeh Studio Slated for Demolition, by Kyle Kessler
Ascona: a “New Orleans Experience” in Switzerland, by Frank Farbenbloom
New Orleans Jazz from San Antonio, by Russ Tarby
Jazz Birthday of the Month: Joe Venuti, illustration by Joe Busam
Static from my Attic, by Andy Senior
Final Chorus, compiled by Joe Bebco
Jazz Travels: 2019 Bix Beiderbecke Jazz Festival, by Bill Hoffman
The Professor is IN: The Mind of the Jazz Musician, by Adrian Cunningham
Quarter Notes: The Carousel Bar “Turns” 70, by Shelly Gallichio
Laurence Juber Rules the “Realm of the Tune”, by Randi Cee
Profiles in Jazz: The Russell Family, by Scott Yanow
Blowing off the Dust: Joplin’s Landmark School, by Larry Melton
Patrick von Wiegandt and the Swanky Phenomenon, by Joe Bebco
The Boy in the Boat, review by Shelly Gallichio
Nights at the Turntable, by CD Reviews by Scott Yanow
Jazz Crush by Arntzen & Kellso, review by Ricky Riccardi
Off the Beaten Tracks, reviews by Joe Bebco
