Irving Mills was a music publisher and owner of Mills Music with his brother Jack. He also was a singer, songwriter, A&R; man and manager of several bands that included Cab Calloway, Benny Carter, Fletcher Henderson, Mills Blue Rhythm Band and the Duke Ellington Orchestra, which he managed from 1926 to 1939.
His association with Duke ran deep; besides being their manager he wrote lyrics to several of Ellington’s songs and sang on many of their records. Duke and other members of his orchestra had mixed emotions about their business relations with Irving Mills. In general they held him in high regard, but felt that as publisher he sometimes took authors’ credit and royalties that were not deserved. On the other hand nearly all agreed that much of Ellington’s early commercial success was because of Mills business skills. It should be noted that the addition of publishers’ names to songs was common practice in those days and the same accusations were leveled at most publishers of the era.
The Hotsy-Totsy Gang records made under Irving Mills name between 1928 and 1930 assembled some of the greatest White Jazz musicians of the era and often produced spectacular results. Sometimes Mills sang on the records, other times he just arranged the record dates and selected the musicians. As a singer Mills was not without talent.
Here’s a recording by the Hotsy-Totsy Gang that is “so hot that the music had to be written on sheets of asbestos”. It’s from Brunswick Brevities which was a short radio program that was broadcast in the late 1920s and early 1930s. This episode featured Irving Mills and his Hotsy Totsy Gang performing “Nobody’s Sweetheart Now” and Hoagy Carmichael singing a great version of his song “Harvey”. Click here to listen to it!
Thanks to Dennis Pereyra for his help with this page.
Title | Recording Date | Recording Location | Company |
Ain’t Misbehavin’ (vocal, tap dancing by Bill Robinson) (Andy Razaf / Fats Waller / Harry Brooks) | 9-4-1929 | New York, New York | Brunswick |
Barbaric (Hoagy Carmichael) | 1-6-1930 | New York, New York | Brunswick 4920 |
Can’t We Get Together? (non-vocal) (Andy Razaf / Fats Waller / Harry Brooks) | 7-31-1929 | New York, New York | Brunswick |
Can’t We Get Together? (vocal) (Andy Razaf / Fats Waller / Harry Brooks) | 7-31-1929 | New York, New York | Brunswick |
Crazy ‘Bout My Gal (Jack Pettis / Irving Mills) | 3-21-1930 | New York, New York | Brunswick |
Dardanella (Felix Bernard / Johnny S. Black / Fred Fisher) | 10-16-1928 | New York, New York | Vocalion |
Deep Harlem (Irving Mills / Frank Signorelli / Matty Malneck) | 6-6-1930 | New York, New York | Brunswick |
Diga Diga Doo (non-vocal) (Dorothy Fields / Jimmy McHugh) | 7-27-1928 | New York, New York | Brunswick |
Diga Diga Doo (vocal) (Dorothy Fields / Jimmy McHugh) | 7-27-1928 | New York, New York | Brunswick |
Doin’ The New Low-Down (non-vocal) (Dorothy Fields / Jimmy McHugh) | 7-27-1928 | New York, New York | Brunswick |
Doin’ The New Low-Down From Blackbirds of 1926 Vocal Chorus by Elizabeth Welsh (Dorothy Fields / Jimmy McHugh) | 7-27-1928 | New York, New York | Brunswick 4014 |
Doin’ The New Low-Down (vocal, tap dancing by Bill Robinson) (Dorothy Fields / Jimmy McHugh) | 9-4-1929 | New York, New York | Brunswick |
Don’t Mess Around With Me (A) (Palmer) | 7-27-1928 | New York, New York | Brunswick |
Don’t Mess Around With Me (B) (Palmer) | 7-27-1928 | New York, New York | Brunswick |
Futuristic Rhythm (non-vocal) (Dorothy Fields / Jimmy McHugh) | 1-14-1929 | New York, New York | Brunswick |
Futuristic Rhythm (vocal) (Dorothy Fields / Jimmy McHugh) | 1-14-1929 | New York, New York | Brunswick |
Harvey (Hoagy Carmichael) | 9-20-1929 | New York, New York | Brunswick |
High And Dry (Hoagy Carmichael) | 1-6-1930 | New York, New York | Brunswick 4920 E31757 |
High And Dry (Hoagy Carmichael) | 1-6-1930 | New York, New York | Brunswick 4920 E31758 |
I Couldn’t If I Wanted To (I Wouldn’t If I Could) Vocal Chorus by Milton Irving (Irving Mills / Palmer) | 10-16-1928 | New York, New York | Brunswick 4112 |
I Wonder What My Gal Is Doin’? (Irving Mills / Jack Pettis) | 3-21-1930 | New York, New York | Brunswick 4998 |
Loved One (A) (Frankie Trumbauer / Irving Mills / Hayden) | 6-6-1930 | New York, New York | Vocalion |
Loved One (B) (Frankie Trumbauer / Irving Mills / Hayden) | 6-6-1930 | New York, New York | Vocalion |
Manhattan Rag (Hoagy Carmichael) | 11-7-1929 | New York, New York | Brunswick |
March Of The Hoodlums (Hoagy Carmichael) | 9-20-1929 | New York, New York | Brunswick |
My Little Honey And Me (Hackforth) | 11-7-1929 | New York, New York | Brunswick |
Out Where The Blues Begin (non-vocal) (Dorothy Fields / Jimmy McHugh) | 1-14-1929 | New York, New York | Brunswick |
Out Where The Blues Begin (vocal) (Dorothy Fields / Jimmy McHugh) | 1-14-1929 | New York, New York | Brunswick |
Railroad Man (Irving Mills) | 3-21-1930 | New York, New York | Brunswick |
Since You Went Away (Riddick / Smith) | 10-16-1928 | New York, New York | Brunswick |
Some Fun (Van Eps) | 7-31-1929 | New York, New York | Brunswick 4498 |
St. Louis Blues (W.C. Handy) | 5-24-1929 | New York, New York | Brunswick |
Star Dust (Mitchell Parrish / Hoagy Carmichael) | 9-20-1929 | New York, New York | Brunswick |
Strut Miss Lizzie (Henry Creamer / J. Turner Layton) | 6-6-1930 | New York, New York | Brunswick |
Sweet Savannah Sue (non-vocal) (Andy Razaf / Fats Waller / Harry Brooks) | 7-31-1929 | New York, New York | Brunswick |
Sweet Savannah Sue (vocal) (Andy Razaf / Fats Waller / Harry Brooks) | 7-31-1929 | New York, New York | Brunswick |
What A Night (Irving Mills / Jack Pettis) | 5-24-1929 | New York, New York | Brunswick 4998 |
What Kind Of Man Is You? (Hoagy Carmichael) | 11-7-1929 | New York, New York | Brunswick |
Artist | Instrument |
Smith Ballew | Vocals |
Ray Bauduc | Drums |
Bix Beiderbecke | Cornet |
Al Beller | Violin |
Ed Bergman | Violin |
Larry Binyon | Tenor Saxophone |
Perry Botkin | Banjo, Ukulele |
Vic Breidis | Piano, Celeste |
Arnold Brilhart | Clarinet, Alto Saxophone |
Clay Bryson | Banjo |
Hoagy Carmichael | Piano, Celeste, Vocals |
Jack Cornell | Piano-Accordion |
Jimmy Dorsey | Clarinet, Alto Saxophone |
Tommy Dorsey | Trombone |
Dudley Fosdick | Mellophone |
Al Goering | Piano |
Benny Goodman | Clarinet, Alto Saxophone, Soprano Saxophone |
Harry Goodman | Tuba |
Al Harris | Cornet, Trumpet |
Manny Klein | Trumpet |
Merrill Kline | Tuba |
Gene Krupa | Drums |
Eddie Lang | Guitar |
Min Leibrook | Bass Saxophone |
Fud Livingston | Clarinet, Alto Saxophone |
Ray Lodwig | Trumpet |
Matt Malneck | Violin |
Matty Matlock | Clarinet, Alto Saxophone |
Leo McConville | Trumpet |
Dick McDonough | Guitar, Banjo |
Jimmy McPartland | Cornet |
Irving Mills | Director, Vocals, Violin ? |
Miff Mole | Trombone |
Bill Moore | Trumpet |
Chauncey Morehouse | Drums, Vibraphone |
Dick Morgan | Banjo |
Lilian Morton | Vocals |
Phil Napoleon | Trumpet |
Dillon Ober | Drums |
Jack Pettis | C-Melody Saxophone, Tenor Saxophone |
Ben Pollack | Drums, Vocals |
Dick Robertson | Vocals |
Bill Robinson | Tap Dancing, Vocals |
Gil Rodin | Clarinet, Alto Saxophone |
Pee Wee Russell | Clarinet, Tenor Saxophone |
Irving “Babe” Russin | Tenor Saxophone |
Bill Schumann | Violincello |
Frank Signorelli | Piano |
Joe Tarto | Tuba |
Jack Teagarden | Trombone |
Joe Venuti | Violin |
Elizabeth Welch | Vocals |