‘As Long as They Can Blow’: Steve Provizer on Interracial Jazz
Roger Kimmel Smith
March 31, 2024
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Vol.4, No.6 June 2019
David Thomas Roberts’ Ragtime Transcendence, by Larry Melton
The Cline Wine & Jazz Festival: A Brief History, by Ken Keeler
Norma Miller, “Queen of Swing,” Dies at 99, by Bobby White
The Jazz Queens Usurped by Their Male Contemporaries, by Dave Doyle
When Bobby Hutcherson Met Railroad Bill, by F. Norman Vickers
Louis Armstrong and The Big River, by Stephen Provizer
The Well-Dressed Gentlemen of Jaunty Anglo-Jazz, by Dave Doyle
America’s Classic Jazz Festival Names New Director, by Joe Bebco
Hot Syncopation Comes to Caramoor, by Joe Bebco
Other New York Area Events, by Joe Bebco
High Sierra Says Farewell at Three Rivers Jazzaffair, by Shonda Croly
Jazz Birthday of the Month: Adrian Rollini, illustration by Frank Page
Static from my Attic, by Andy Senior
Final Chorus, compiled by Joe Bebco
Jazz Jottings: A Reordering of Priorities, by Lew Shaw
Profiles in Jazz: Harry James, by Scott Yanow
Blowing off the Dust: Yes, TAPR Is Still Relevant, by Larry Melton
Quarter Notes: New Orleans Jazz & Heritage Fest, by Shelly Gallichio
The Professor is IN: The Art of the Vibe, by Adrian Cunningham
My Right Foot – Part One, by Randi Cee
Jazz Travels: The French Quarter Festival, by Bill Hoffman
The Syncopated Cinema: Bolden, by Stephen Provizer
Nights at the Turntable, CD reviews by Scott Yanow
Bolden Soundtrack by Wynton Marsalis: It’s Good!, by Joe Bebco
Off the Beaten Tracks, CD reviews by Joe Bebco
Concert Review: Gene Yevich Memorial Concert, by Bill Hoffman
