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The King Oliver Project
In October 2019 a group of top tier traditional jazz musicians decided to learn from King Oliver‘s iconic Creole jazz Band recordings by playing them
In October 2019 a group of top tier traditional jazz musicians decided to learn from King Oliver‘s iconic Creole jazz Band recordings by playing them
There are scores of swing era big bands whose recorded histories are well worth exploring. Once one has heard the highlights of the obvious greats
Chris Hopkins leads the fine Echoes of Swing group, which we profiled several years ago when they released a double album tribute to Bix. An
Jazz history of the 20th century will be best remembered through its recordings. Just as stage actors who did not appear in films are doomed
Remote recording albums may stick around post Covid-19. Younger musicians have been jamming with each other online for years. In the studio playing in separate
Big Bill Bissonnette (1937-2018) was a spirited trombonist (inspired by his idol Jim Robinson), an occasional drummer, and the leader of the Easy Riders Jazz
When an iconic female vocalist steps up to front the world’s spunkiest, funkiest trad-jazz combo, musical fireworks soon ensue. The icon is jug-band veteran Maria
Roya Naldi, a singer with a deep and haunting voice, is most inspired by Al Bowlly while at various times hinting at Annette Hanshaw, early
No doubt that readers of The Syncopated Times are as leery of stylistic fusion and “cross-over” projects as I am. I’m not a die hard
The Archeophone label, in their Yearbook series, had previously released CDs dedicated to the music of every year from 1906-1922 (not to mention two CDs
A number of jazz concerts aired in the U.K. on BBC Radio in the early 1960s while the “trad boom” was underway and rock and
Back in my salad days when I first was becoming interested in jazz, I ran across the wonderful name “Muggsy Spanier.” For some reason, that
Lester Young (1909-59) was one of the all-time great tenor-saxophonists, a non-conformist whose floating cool-toned style was much different than that of the dominant influence
It took most European musicians a bit of time to get comfortable playing jazz. In the early-to-mid 1920s, relatively few American jazz recordings were available
For a good many years, now, I have been a fan of Kid Thomas and his various bands; so when I first heard about this
In 2012, Paul Adams of Lake Records issued a three-CD set titled British Traditional Jazz – A Potted History, which consists of 73 tracks in
On Feb. 11, 1940, a new weekly radio program made its debut. Called The Chamber Music Society of Lower Basin Street, it was a satire
Reedsman Evan Arntzen is ready to make a splash in the jazz world with his third release as leader, a gem of an album on
Singer-songwriter Loudon Wainwright III, called “The Poet Laureate of Family Dysfunction” by Rolling Stone magazine, might not spring to mind as someone that you’d expect
In the 1960s, Pete Fountain was the second best-known active clarinetist in the US, only behind Benny Goodman. His brand of New Orleans jazz was
Sometimes one just has the need to hear riotous Dixieland, particularly the style of music where there are lots of notes played at rapid tempos
Scott Yanow reviewed the latest from the Singapore Slingers back in February but I’ve been enjoying this album so much I thought I’d give it
Tis Autumn is Marty Elkins’ fifth album. The first on her new label Elktone Records after four releases on the popular Nagel-Heyer label gained her
Hailey Brinnel is an up-and-coming singer and trombonist who has lots of potential. Originally from Philadelphia, she has worked with the Diva Jazz Orchestra, Anat