In 1923, Red was back in his home town, St. Louis, the ‘Mound City’ from which the Blue Blowers got their name:
“I was a bellhop in the Claridge, and across the street was a place called Butler Brothers Soda Shop. Dick Slevin worked there and there was a little colored shoe-shine boy who used to beat it out on the shoes. Had a phonograph going. I passed with my comb, and played along. Slevin would have liked to play a comb but he had a ticklish mouth, so he used a kazoo.
“He got fired across the street and got a job in a big soda store. He ran into Jack Bland, who owned a banjo (now known for his guitar), and one night after work they went to his room. He and Slevin started playing. They got me.
“Gene Rodemich’s was a famous band at that time. His musicians used to drop in at the restaurant where we hung out. They were impressed and told their boss. He took us to Chicago to record with his band, as a novelty.
“When we got to Chicago we went down to the Friars’ Inn. About 1924 it was. Volly de Faut and Elmer Schoebel were there. Isham Jones was at the place and he asked us what instruments we were playing. He had us come to his office next day, and set the date for Brunswick.
“That was the time 2-23-’24 we made “Arkansas Blues” and “Blue Blues“. They say it sold over a million copies. Brunswick put us in a cafe in Atlantic City called the Beaux Arts. I met Eddie Lang in Atlantic City. In New York, The Mound City Blue Blowers played the Palace in August, 1924.”
Subsequently, Red’s band played at the Stork Club in London. Upon returning to America McKenzie joined the Paul Whiteman Orchestra, but kept the band going on the side, with personnel changes. In 1935 he revived the Mound City Blue Blowers for a series of recording sessions.
Title | Recording Date | Recording Location | Company |
A Little Bit Independent (Burke / Leslie) | 12-12-1935 | New York, New York | Champion 40073 |
Arkansaw Blues (Spencer Williams) | 2-23-1924 | Chicago, Illinois | Brunswick 2581-A |
Barb Wire Blues (Frankie Trumbauer) | 7-9-1924 | Chicago, Illinois | Brunswick 2648-A |
Blue Blues (Red McKenzie / Dick Slevin) | 2-23-1924 | Chicago, Illinois | Brunswick 2581-B |
Blues In F (Red McKenzie / Eddie Lang) | 7-1925 | New York, New York | Brunswick 2908-A |
Deep Second Street Blues (McGauley / Red McKenzie / Eddie Lang) | 12-10-1924 | New York, New York | Brunswick 2804-B |
Eeney Meeney Miney Mo (Johnny Mercer / Matty Malneck) | 12-12-1935 | New York, New York | Champion 40073 |
Firehouse Blues (Red McKenzie) | 8-19-1929 | New York, New York | Columbia 1946-D |
Georgia On My Mind (Johnny Mercer / Hoagy Carmichael) | 6-30-1931 | New York, New York | Okeh 41515 |
Gettin’ Told (Red McKenzie / Eddie Lang) | 2-9-1925 | New York, New York | Brunswick 2849-A |
Hello Lola (Red McKenzie / Means) | 11-14-1929 | New York, New York | Victor V-38100-B Bluebird B-10037-A Bluebird B-6270-A |
High Society Blues (A.J. Piron / Clarence Williams) | 12-12-1935 | New York, New York | Champion 40103 Decca 1274 A |
I’ll Be Glad When You’re Dead, You Rascal You (Sam Thread) | 6-30-1931 | New York, New York | Okeh 41526 |
I Can’t Believe That You’re In Love With Me | 6-30-1931 | New York, New York | Okeh 41515 |
I Hope Gabriel Likes My Music (Franklin) | 1-8-1936 | New York, New York | Champion 40091 B |
Indiana (Ballard MacDonald / James F. Hanley) | 8-19-1929 | New York, New York | Columbia 1946-D |
Indiana (Ballard MacDonald / James F. Hanley) | 5-9-1935 | New York, New York | Vocalion 2973 A |
I’m Gonna Clap My Hands (Riley / Farley) | 2-17-1936 | New York, New York | Champion 40103 |
I’m Gonna Sit Right Down And Write Myself A Letter (Joe E. Young / Fred E. Ahlert) | 1-8-1936 | New York, New York | Champion 40082 |
I’m Shootin’ High From 20th Century-Fox Production “King Of Burlesque” Vocal Chorus by Nappy Lamare (Jimmy McHugh / Ted Koehler) | 12-12-1935 | New York, New York | Champion 40076 A |
I’m Sittin’ High On A Hill Top (Kahn / Johnston) | 11-8-1935 | New York, New York | Champion 40059 |
I’ve Got My Fingers Crossed From 20th Century-Fox Production “King Of Burlesque” Vocal Chorus by Nappy Lamare (Jimmy McHugh / Ted Koehler) | 12-12-1935 | New York, New York | Champion 40076 B |
Mama Don’t Allow It (Davenport) | 1-8-1936 | New York, New York | Champion 40091 A |
Muskrat Ramble (Kid Ory) | 12-12-1935 | New York, New York | Decca 1274 B |
Nervous Puppies (Red McKenzie) | 3-7-1927 | New York, New York | Brunswick 3484-B |
Never Had A Reason To Believe In You (Red McKenzie / Billings) | 9-25-1929 | New York, New York | Victor V-38087-B Bluebird B-6270-B |
On Treasure Island (Burke / Leslie) | 11-8-1935 | New York, New York | Champion 40060-A |
One Hour (Red McKenzie / Gene Krupa) | 11-14-1929 | New York, New York | Victor V-38100-A Victor 40060 Bluebird B-6456-A |
Play Me Slow (Hagen / O’Flynn) | 2-9-1925 | New York, New York | Brunswick 2849-B |
Red Hot! (Ted Koehler / Frankie Trumbauer / Bradley / Sherman) | 3-14-1924 | Chicago, Illinois | Brunswick 2602-B |
Red Sails In The Sunset (Grosz / Kennedy) | 11-8-1935 | New York, New York | Champion 40060-B |
(If I Had) Rhythm In My Nursery Rhymes (Lunceford / Chaplain) | 1-8-1936 | New York, New York | Champion 40082 |
Saddle Your Blues To A Wild Mustang Vocal Chorus by Billy Wilson (Billy Reid / George Whitting / Buddy Bernier) | 2-17-1936 | New York, New York | Champion 40099 B |
San (Lindsay McPhail / Walter Michaels) | 3-14-1924 | Chicago, Illinois | Brunswick 2602-A |
She’s Latin From Manhattan (Al Dubin / Harry Warren) | 5-9-1935 | New York, New York | Vocalion 2957 |
Spreadin’ Rhythm Around (McHugh / Koehler) | 2-17-1936 | New York, New York | Champion 40098 |
Tailspin Blues (Red McKenzie) | 9-25-1929 | New York, New York | Bluebird B-6456-B |
The Broken Record (A) (Cliff Friend / Charlie Tobias / Boyd Bunch) | 1-3-1936 | New York, New York | Pan |
The Broken Record (B) (Cliff Friend / Charlie Tobias / Boyd Bunch) | 1-3-1936 | New York, New York | Champion 40081 B Montgomery Ward 5022-B |
The Darktown Strutters Ball (Shelton Brooks) | 6-30-1931 | New York, New York | Okeh 41526 Columbia 36281 |
The Music Goes Round And Round (Mike Reilley / Ed Farley) | 1-3-1936 | New York, New York | Champion 40081 A Montgomery Ward 5022-A |
Tiger Rag (Nick LaRocca) | 12-10-1924 | New York, New York | Brunswick 2804-A |
Thanks A Million (Kahn / Johnston) | 11-8-1935 | New York, New York | Champion 40059 |
Wah-Hoo! Vocal Chorus by Billy Wilson (Cliff Friend) | 2-17-1936 | New York, New York | Champion 40099 A |
What Do I Care What Somebody Said (Clare / Wood) | 7-3-1927 | Chicago, Illinois | Brunswick 3484-A |
What’s The Reason (I’m Not Pleasing You) (Poe / Greer / Tomlin / Hatch) | 5-9-1935 | New York, New York | Vocalion 2957 |
Wigwam Blues (Red McKenzie / Dick Slevin / Jack Bland) | 7-1925 | New York, New York | Brunswick 2908-B |
You Ain’t Got Nothing I Want (Red McKenzie / Dick Slevin) | 7-10-1924 | Chicago, Illinois | Brunswick 2648-B |
You Hit The Spot (Gordon / Revel) | 2-17-1936 | New York, New York | Champion 40098 |
You’ve Been Taking Lessons (From Somebody New) (Tharpe / Watts) | 5-9-1935 | New York, New York | Vocalion 2973 A |
Artist | Instrument |
Dave Barbour | Guitar |
Ray Baudac | Drums |
Josh Billings | Drums |
Jack Bland | Banjo |
Bunny Berigan | Trumpet |
Gil Bowers | Piano |
Eddie Condon | Banjo, Vocals |
Forrest Crawford | Clarinet, Tenor Saxophone |
Spooky Dickenson | Vocals |
Jimmy Dorsey | Clarinet, Alto Saxophone |
Pops Foster | Banjo, Vocals |
Harry Goodman | Bass |
Bob Haggart | Bass |
Coleman Hawkins | Tenor Saxophone |
Stan King | Drums |
Gene Krupa | Drums |
Nappy Lamare | Guitar, Vocals |
Yank Lawson | Trumpet |
Eddie Lang | Guitar |
Carmen Mastren | Guitar |
Red McKenzie | Comb, Vocals |
Eddie Miller | Clarinet, Tenor Saxophone |
Glenn Miller | Trombone |
Al Morgan | Bass |
Pete Peterson | Bass |
Al Philburn | Trombone |
Pee Wee Russell | Clarinet |
Jack Russin | Piano |
Dick Slevin | Kazoo |
Frank Signorelli | Piano |
Muggsy Spanier | Cornet |
Mort Stuhlmaker | Bass |
Jack Teagarden | Trombone, Vocals |
Dave Tough | Drums |
Sid Trucker | Clarinet, Tenor Saxophone |
Frankie Trumbauer | C-Melody Saxophone |
Sid Weiss | Bass |
Billy Wilson | Vocals |
Bruce Yantis | Violin |
Title | Director | Year |
The Opry House | Vitaphone | 1929 |