Profiles In Jazz

Jimmie Noone was one of the big three of New Orleans clarinetists to emerge on records in the 1920s, holding his own with Johnny Dodds

Guitarist Charlie Christian and bassist Jimmy Blanton never recorded together and it is quite possible that they never jammed on the same stage, but there

They were a bit of an odd couple. Red Norvo was thin and soft-spoken while Mildred Bailey was heavy and could be rather boisterous. But

During the swing era, there were two types of male singers that were employed by many big bands, and then there was Jimmy Rushing. While

He was a very popular singer and entertainer who, as “Ukulele Ike,” had major accomplishments in the 1920s, he appeared in many films in the

Throughout his long career, Louis Prima was a New Orleans-based trumpeter, a good-humored singer, and a lovable personality. While his wide-ranging career can easily be

He had the most beautiful tone of anyone ever on alto-sax and possibly of all saxophonists (although Stan Getz on tenor came close). When he

Trumpeter Yank Lawson and bassist-composer Bob Haggart, while having separate careers, were musical friends and collaborators for nearly six decades. They came together during at

Was any jazz musician as consistent for as long a period as Benny Carter? One of the top alto saxophonists of 1927, he also ranked

Edmond Hall was one of a handful of jazz musicians who could be identified after one note. Playing on a famous filmed version of “St.

Although they never seemed to have performed together, Ruth Etting and Annette Hanshaw had careers that were often similar. The singers enjoyed strong success starting

Most big bands during the swing era had three trumpeters. After that period, trumpet sections grew to four or five musicians generally comprised of one

He was the “King of Swing,” one of the greatest clarinetists of all time, and an international celebrity by 1936 who is still a household

The tenor-saxophone took a little while to be accepted in jazz. Unlike the alto-sax and C-melody which were considered lead instruments, the tenor did not

In the 1950s, trombonist Wilbur DeParis led his New New Orleans Jazz Band, one of the most exciting groups of the era. Accomplishing his stated

Decades ago, a classic Fletcher Henderson four-LP set was titled A Study In Frustration. I always thought that that title was inaccurate as far as

There have long been two extreme schools of thought about trumpeter Bunk Johnson. His most partisan fans thought of him not only as a genius,

He has been gone for 25 years but everyone still knows who Cab Calloway was. The “Hi-De-Ho Man,” the singer of “Minnie The Moocher,” an

A household name during the 1920s, Paul Whiteman led the most popular orchestra of the decade. He expertly mixed together occasional jazz pieces with semi-classical

Jelly Roll Morton was a towering figure in early jazz, and one with a very large number of accomplishments. As a pianist who had his

The Nat King Cole story is a tale of two major talents, both owned by the same person. Equally skilled as a jazz pianist and

During the 1921-25 period, it seemed as if every African-American female singer who could carry a tune was being rushed into a recording studio to

The finest jazz guitarist of his short lifetime, Eddie Lang was masterful as both a melodic soloist and a sophisticated accompanist, whether playing bluesy single-note

It has always seemed a bit improbable that Catherine Russell, the vibrant and exciting swing singer, is the daughter of Luis Russell, the leader of