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Dixie Daisies • Hotsy Totsy Town
During the swing era in the 1930s, it became a common practice for the best big bands, for variety’s sake and to the delight of
During the swing era in the 1930s, it became a common practice for the best big bands, for variety’s sake and to the delight of
We all know the Austin area is a young musician’s paradise, and that San Antonio has a rich tradition of great jazz most strongly associated
George Wein (1925-2021) will always be best remembered for being the founder of the Newport Jazz Festival and many other significant annual jazz events, but
I’m pretty sure that my desert island disc would be a Louis Jordan one, possibly his collaboration with Chris Barber titled Louis Jordan Swings! Jordan’s
Since 1985 performances of Bending Towards the Light… A Jazz Nativity have been a staple of the season for residents of New York City. The
Big Boy Goudie’s life and career were fully explored in a definitive article by David Radlauer that appeared in three issues of the Syncopated Times
The late English trombonist and bandleader Chris Barber was known but not a star performer in the US. On the other hand, he and his
Ethan Leinwand is an important part of the traditional jazz scene in St. Louis, a scene marked by its youth and a number of excellent
Adam Swanson introduces his new release Ragtime Australia! Twenty never before recorded works by Australian composers of the ragtime era (1902-1943) as if it was
On Let’s Face The Music, drummer Reinhardt Winkler heads a trio with pianist John DiMartino and bassist Boris Kozlov, adding tenor-saxophonist Harry Allen to five
Geoff Power is well known within the Australian Traditional Jazz community. He toured the US with the New Wolverine Jazz Orchestra and appeared at the
I first heard trumpeter Danny Tobias when he was playing a supportive but important role with the Midiri Brothers’ Sextet. A pro since he was
I had intended to review this album of “hapa haole” songs during the more appropriate summer months, though maybe you can use them to keep
Marieke Koopman makes her jazz recording debut on Chapter One. She is certainly a fearless singer as she shows on the opener, a high-powered version
The passing of Steve Yocum last year was felt profoundly across the traditional jazz world, and perhaps surprisingly among the many young fans he had
Although he tends to get overlooked in jazz history books, Albert Nicholas (1900-73) was one of the great New Orleans clarinetists. Part of the New
Rebecca Kilgore thrives in the recording studio. She has been part of over 50 albums and performs frequently with nearly everyone on the jazz party
There can never be too many Duke Ellington albums. After his passing in 1974, a steady stream of previously unreleased Ellington recordings continued to come
First of all, let me state up front that I am not a pianist. Never had a lesson and when I sit at a keyboard,
Back in the 1960s, Epic in their Columbia Special Products series released a superb three-Lp set titled Jack Teagarden – King Of The Blues Trombone.
A world traveling Australian who has appeared everywhere from Lincoln Center and the Sydney Opera House, to the Davenport, Iowa Bix Fest, Leigh Barker recently
I wasn’t going to review Ted des Plantes’ latest because I’d already covered several of his releases and thought I’d give our other reviewers a
I went to a dance last week—not an awkward daytime shuffle on asphalt, but an honest-to-goodness indoor, after-dark event on a wooden floor and everything.
Sarah Vaughan (1924-90) had one of the most wondrous voices of the 20th century. Her wide range, impeccable phrasing, improvising talents, and golden tone were